Materials, how they wear over time, and the washing advice that actually applies to them.
We list the fibre content and the fabric weight rather than describing a hand-feel with adjectives. Whether a knit has width stretch, vertical stretch or both is on the page, since the direction changes how a garment ages.
Knitted fabrics follow the body and recover; woven fabrics hold a shape and crease. Wovens hold a line and want a cool iron on the reverse. Anything containing elastane loses its recovery in a hot dryer faster than in any other way.
Wash cool, turn garments inside out, and skip fabric softener — it coats the fibres and flattens brushed surfaces. Heat is what distorts fine ribs and dulls prints, so line drying in shade keeps both.
We give fibre percentages rather than a general impression of softness, and where a fabric has a meaningful weight we give it in grams per square metre. Weight, where we can state it, is given in grams per square metre — the number that tells you whether something is a summer shirt or a winter one.
Elastane content above a couple of percent changes how a garment behaves over a season, and we name it where it matters. Where drape is the point — a fluid knit, a heavier woven — the listing says which and what it does.
Treat a knit as you would a wool jumper even when it is cotton: cool water, low spin, dry flat and away from a radiator. Hanging a wet ribbed top on a hanger is what turns a fitted cuff into a loose one.
Woven pieces tolerate a normal cool cycle and a warm iron, but a printed surface should be pressed from the reverse or through a cloth — a hot iron on the face of a print will glaze it. Turn anything with a zip or metal trim inside out before washing so the hardware cannot abrade the fabric it sits next to.
Put things away washed and bone dry. Fold knitwear instead of hanging it, keep everything away from direct sun, and use a cotton bag rather than sealed plastic so the fibre can breathe through the winter.
Roll the woven pieces and let knitwear travel flat above them. A creased woven usually hangs out overnight; a flattened rib or a glazed print generally will not, which is worth remembering when space is tight.
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